{"title":"Ernest Hemingway","description":"","products":[{"product_id":"the-sun-also-rises-by-ernest-hemingway","title":"The Sun Also Rises","description":"\u003cp data-pm-slice=\"1 2 []\"\u003e\u003cspan\u003eFirst published in 1926, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Sun Also Rises\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is Ernest Hemingway’s first major novel and one of the defining works of the Lost Generation. The story follows American journalist Jake Barnes and a restless circle of expatriates from the cafés and bars of 1920s Paris to the bullfights and summer heat of Pamplona, Spain. At its centre is Jake’s complicated love for the magnetic Lady Brett Ashley, set against a world still reckoning with the disillusionment of the First World War.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWritten in the spare, understated style that would become Hemingway’s signature, the novel explores love, friendship, masculinity, longing, and the search for meaning in a generation left unmoored by war. Paris appears not merely as a backdrop but as part of the novel’s rhythm: late dinners, crowded cafés, taxis through dark streets, and lives lived between one destination and the next. Its portrayal of the post-war expatriate world helped establish the enduring mythology of literary Paris and cemented Hemingway’s reputation as one of the most important American writers of his generation. Nearly a century later, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Sun Also Rises\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e remains an essential novel of modern American literature and of Americans in Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrom the book\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e“Isn’t it pretty to think so?”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Ernest Hemingway, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Sun Also Rises\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eThe Sun Also Rises\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e“The discipline of the writing alone is astounding.”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Lev Grossman, Library of America\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63764072530250,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1028\/0389\/8698\/files\/the-sun-also-rises-ernest-hemingway-english-bookstore-paris_e18649ea-7ccf-4b0e-8f44-bf920ff93bba.png?v=1790859517"},{"product_id":"for-whom-the-bell-tolls","title":"For Whom the Bell Tolls","description":"\u003cp\u003e\u003cspan\u003eFirst published in 1940, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eFor Whom the Bell Tolls\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is Ernest Hemingway’s sweeping novel of love, loyalty, and sacrifice during the Spanish Civil War. The story follows Robert Jordan, a young American volunteer fighting with the Republican forces, who is sent into the mountains of Spain to destroy a strategically vital bridge ahead of an offensive. There he joins a small band of guerrilla fighters led by the formidable Pilar and the increasingly troubled Pablo, and meets Maria, a young woman whose life has already been devastated by the war.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSet over the course of just a few tense days, the novel moves between the immediate dangers of Robert Jordan’s mission and larger questions of courage, political conviction, death, and the obligations people owe one another. Hemingway drew upon his own experiences reporting from Spain during the Civil War, giving the novel an unusually vivid sense of landscape, violence, camaraderie, and uncertainty. Yet beneath its story of warfare lies one of Hemingway’s most moving love stories, as Jordan and Maria attempt to imagine a future while knowing how little time may remain to them. \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eFor Whom the Bell Tolls\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e became one of Hemingway’s greatest commercial and critical successes and remains one of the defining literary works to emerge from the Spanish Civil War.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrom the book\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“The world is a fine place and worth the fighting for and I hate very much to leave it.”\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e— Ernest Hemingway, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eFor Whom the Bell Tolls\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eFor Whom the Bell Tolls\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“Mr. Hemingway has always been the writer, but he has never been the master that he is in For Whom the Bell Tolls.”\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e— Ralph Thompson, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe New York Times\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63786773872970,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1028\/0389\/8698\/files\/for-whom-the-bell-tolls-ernest-hemingway-english-bookstore-paris_85df1fa8-4f11-4902-9b77-875779789068.png?v=1791045775"},{"product_id":"the-old-man-and-the-sea","title":"The Old Man and the Sea","description":"\u003cp data-pm-slice=\"1 1 []\"\u003e\u003cspan\u003eFirst published in 1952, Ernest Hemingway’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Old Man and the Sea\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a spare, luminous tale of endurance set in the waters of the Gulf Stream, off the coast of Cuba. Santiago, an ageing fisherman who has gone eighty-four days without a catch, ventures far out to sea in the hope of breaking his run of ill fortune. When he hooks an enormous marlin, a solitary contest begins, testing his strength, patience and resolve over days and nights beneath the open sky. Bound to the great fish by a mixture of admiration and determination, Santiago confronts not only the demands of the natural world but the limits of his own body.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWritten in Hemingway’s unmistakable prose, the novella explores courage, dignity, solitude and the difficult distinction between defeat and failure. Its apparent simplicity conceals a remarkable depth, as the fisherman’s struggle becomes a meditation on the relationship between humanity and nature, and on the dignity of persevering when victory remains uncertain. Awarded the Pulitzer Prize for Fiction in 1953, the book also contributed to the recognition that culminated in Hemingway’s Nobel Prize in Literature in 1954. One of the defining works of twentieth-century American fiction, it stands as a late, distilled expression of the themes that shaped Hemingway’s literary life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrom the book\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“He was too simple to wonder when he had attained humility. But he knew he had attained it and he knew it was not disgraceful and it carried no loss of true pride.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Ernest Hemingway, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Old Man and the Sea\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eThe Old Man and the Sea\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“It is a study in sustained crisis, a quite wonderful example of narrative art.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Norman Shrapnel, The Guardian, 1952\u003c\/span\u003e\u003c\/p\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63865402065226,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"men-without-women","title":"Men Without Women","description":"\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eFirst published in 1927, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eMen Without Women\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e is Ernest Hemingway’s second collection of short stories, a spare and unsparing portrait of men navigating loneliness, violence, love and loss. From the bullrings of Spain to the battle-scarred landscapes of Italy, Hemingway follows prizefighters, soldiers, lovers and strangers caught in moments of quiet crisis. Among its most celebrated stories are \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eThe Killers\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eHills Like White Elephants\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e and \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eIn Another Country\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e, each revealing the tension between what people say and what they cannot bring themselves to express. Beneath the apparent toughness of his characters lies a more vulnerable world of wounded pride, emotional restraint and uncertain belonging.\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eWritten in the deceptively simple prose that would become Hemingway’s signature, these stories demonstrate his extraordinary command of dialogue, omission and psychological tension. His characters often confront suffering without the language or freedom to articulate it, leaving gestures, silences and ordinary exchanges to carry the deepest meanings. The collection occupies a significant place in the development of modern American short fiction, capturing the disillusionment of the post-war generation while challenging conventional ideas of courage and masculinity. More than a portrait of men alone, it is an exploration of the fragile boundaries between endurance and despair.\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003ch3 class=\"x1ll2q23 x1a4oops\"\u003e\n\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eFrom the book\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e“I was always embarrassed by the words sacred, glorious, and sacrifice and the expression in vain.”\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e— Ernest Hemingway, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eMen Without Women\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003ch3 class=\"x1ll2q23 x1a4oops\"\u003e\n\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eOn \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eMen Without Women\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e“His facts may be from experience, and they may be compounded solely from imagination, but he so presents them that they stand out with all the clearness and sharpness”\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e— The New York Times\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63865480446282,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"a-farewell-to-arms","title":"A Farewell to Arms","description":"\u003cp\u003e\u003cspan\u003eFirst published in 1929, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eA Farewell to Arms\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is Ernest Hemingway’s haunting novel of love and disillusionment during the First World War. Set against the Italian campaign, it follows Frederic Henry, an American ambulance lieutenant serving in the Italian army, whose chance encounter with Catherine Barkley, an English nurse, develops into a passionate and increasingly desperate romance. As the war carries them between the mountains, military hospitals, and retreating armies of northern Italy, their relationship becomes a refuge from the violence and uncertainty surrounding them. What begins almost carelessly grows into something neither can easily surrender.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrawing upon Hemingway’s own experiences as an ambulance driver wounded on the Italian front, the novel explores the fragile boundaries between love and loss, courage and despair, loyalty and disillusionment. Its spare dialogue, restrained emotion, and unsentimental treatment of war helped establish the distinctive style that would define Hemingway’s literary reputation. Beneath its apparent simplicity lies a profound examination of the human desire to find meaning and tenderness in an indifferent world. Alongside \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Sun Also Rises\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, it remains one of the defining works of the Lost Generation and a landmark of twentieth-century American fiction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrom the book\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“When you love you wish to do things for. You wish to sacrifice for. You wish to serve.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Ernest Hemingway, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eA Farewell to Arms\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eA Farewell to Arms\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“There is something so complete in Mr. Hemingway's achievement in A Farewell to Arms…”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— The Guardian, 13 December 1929\u003c\/span\u003e\u003c\/p\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63865509577034,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"in-our-time","title":"In Our Time","description":"\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eFirst published in Paris in 1924, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003ein our time\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e is Ernest Hemingway’s stark, fragmentary portrait of a world marked by war, brutality and dislocation. Comprising eighteen brief prose vignettes, the collection moves between the battlefields of the First World War, the bullrings of Spain and scenes drawn from the darker corners of contemporary life. In a handful of precise, unsentimental strokes, Hemingway captures wounded soldiers, public executions and the casual violence that shadows ordinary existence. These miniature narratives offer no comforting explanations; instead, they leave the reader with images that linger long after their few lines have ended.\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eAn essential early work, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003ein our time\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e reveals Hemingway developing the compressed style, emotional restraint and startling economy that would transform modern American fiction. Its fragments suggest a world whose violence cannot always be contained within conventional storytelling, anticipating the larger collection \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eIn Our Time\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e published in 1925, which incorporated the vignettes alongside short stories including \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eIndian Camp\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e and \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eBig Two-Hearted River\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e. Shaped by Hemingway’s years as a journalist and his experiences of post-war Europe, the book belongs to the formative moment of literary modernism, when writers were searching for new ways to represent a fractured age. Small in scale but formidable in effect, it marks the emergence of a distinctive literary voice.\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003ch3 class=\"x1ll2q23 x1a4oops\"\u003e\n\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eFrom the book\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e“Things were getting forward.”\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e— Ernest Hemingway, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003ein our time\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003ch3 class=\"x1ll2q23 x1a4oops\"\u003e\n\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eOn \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003ein our time\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e“In the dry compressed little vignettes of In Our Time he has almost invented a form of his own.”\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e— Edmund Wilson, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eThe Dial\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e, 1924\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63865660145994,"sku":null,"price":14.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"green-hills-of-africa","title":"Green Hills of Africa","description":"\u003cp\u003e\u003cspan\u003eFirst published in 1935, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGreen Hills of Africa\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is Ernest Hemingway’s account of a month spent hunting big game in the wilderness of East Africa. Drawn from a safari undertaken with his second wife, Pauline Pfeiffer, in 1933–34, the book follows Hemingway across the plains, forests, and highlands of what was then Tanganyika, in pursuit of kudu and other elusive game. Between long days of tracking animals and evenings spent around camp, he records the pleasures of companionship, the frustrations of competition, and the extraordinary beauty of the African landscape. Yet the expedition also becomes an occasion for reflection on literature, ambition, and the uneasy relationship between man and the natural world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWritten with the precision and economy that had become his signature, the book was Hemingway’s attempt to give a work of nonfiction the imaginative force of a novel. His descriptions of the landscape stand alongside candid, often combative conversations about writers and writing, revealing a man as preoccupied with the demands of his craft as with the hunt itself. Published between \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eA Farewell to Arms\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eTo Have and Have Not\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, it occupies a distinctive place in his career and anticipates the African settings of such celebrated stories as \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Snows of Kilimanjaro\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. Both a portrait of a vanished colonial world and an unusually intimate account of its author, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGreen Hills of Africa\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e reveals Hemingway’s fascination with courage, rivalry, beauty, and the pursuit of an ideal that forever seems just beyond reach.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eFrom the book\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“I have a good life but I must write because if I do not write a certain amount I do not enjoy the rest of my life.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Ernest Hemingway, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eGreen Hills of Africa\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eOn \u003c\/span\u003e\u003c\/strong\u003e\u003cem\u003e\u003cstrong\u003e\u003cspan\u003eGreen Hills of Africa\u003c\/span\u003e\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan\u003e“It contains some of the best writing Ernest Hemingway has done.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e— Kirkus Reviews, 1935\u003c\/span\u003e\u003c\/p\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63865736692042,"sku":null,"price":15.0,"currency_code":"EUR","in_stock":true}]},{"product_id":"death-in-the-afternoon","title":"Death in the Afternoon","description":"\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eFirst published in 1932, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eDeath in the Afternoon\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e is Ernest Hemingway’s searching exploration of Spanish bullfighting, a ritual he regarded as both an art form and a confrontation with mortality. Drawing on his travels through Spain, Hemingway guides the reader into the world of the corrida, examining its traditions, techniques, matadors and spectators with the eye of a journalist and the sensibility of a novelist. Yet the book reaches beyond the bullring, becoming a meditation on courage, beauty, violence and the human desire to face death with dignity. His account is at once an intimate portrait of Spanish culture and an inquiry into the complicated relationship between spectacle and suffering.\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003ePart travel writing, part cultural study and part reflection on the craft of literature, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eDeath in the Afternoon\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e occupies a distinctive place in Hemingway’s work. Its direct, unsentimental prose carries the authority of personal experience, while its digressions reveal a writer thinking deeply about what makes an experience worth recording. Published after \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eA Farewell to Arms\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e, it marked a deliberate turn towards nonfiction and offered readers an unusually candid glimpse of Hemingway’s artistic convictions. Compelling and controversial in equal measure, the book remains an essential document of his fascination with Spain, his philosophy of writing and his lifelong preoccupation with courage in the presence of death.\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003ch3 class=\"x1ll2q23 x1a4oops\"\u003e\n\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eFrom the book\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e“Prose is architecture, not interior decoration, and the Baroque is over.”\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e— Ernest Hemingway, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eDeath in the Afternoon\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003ch3 class=\"x1ll2q23 x1a4oops\"\u003e\n\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eOn \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eDeath in the Afternoon\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e“A superbly colored and capricious essay on human pride.”\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e— Laurence Stallings, 1932 review\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63865740853578,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1028\/0389\/8698\/files\/death-in-the-afternoon-ernest-hemingway-english-bookstore-paris.png?v=1791566994"},{"product_id":"winner-take-nothing","title":"Winner Take Nothing","description":"\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eFirst published in 1933, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eWinner Take Nothing\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e is Ernest Hemingway’s third collection of short stories, a stark examination of loneliness, disillusionment and the quiet struggles that shape human lives. Across fourteen stories, Hemingway moves from the late-night solitude of a café in \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eA Clean, Well-Lighted Place\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e to the uneasy conversations of \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eThe Sea Change\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e and the psychological wounds of \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eA Way You’ll Never Be\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e. His characters are soldiers, lovers, strangers and ordinary people confronting moments when certainty gives way to doubt, and courage offers little guarantee of consolation. Beneath the spare dialogue and seemingly simple encounters lies a profound interest in what people conceal from one another and from themselves.\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003ePublished between \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eA Farewell to Arms\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e and Hemingway’s later works, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eWinner Take Nothing\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c!--if--\u003e belongs to a defining period in the development of modern American short fiction. Its title suggests a world in which victory brings no lasting reward, and where survival itself may demand a difficult reckoning with loss. Hemingway’s characteristic restraint allows gestures, silences and fragments of conversation to carry emotional weight, while his willingness to explore loneliness, sexuality, illness and mortality gives the collection an unsettling intimacy. Bleak yet deeply humane, these stories reveal a writer refining the art of saying more with less.\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003ch3 class=\"x1ll2q23 x1a4oops\"\u003e\n\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eFrom the book\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e“Unlike all other forms of lutte or combat the conditions are that the winner shall take nothing; neither his ease, nor his pleasure, nor any notions of glory.”\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e— Ernest Hemingway, \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eWinner Take Nothing\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003ch3 class=\"x1ll2q23 x1a4oops\"\u003e\n\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eOn \u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003eWinner Take Nothing\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003cem\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e“The Hemingway market that wants Hemingway at his cruelest and most brutal, will want this new collection of short stories.”\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/em\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--it--\u003e\u003c\/p\u003e\n\u003cp class=\"x12ofw9d\"\u003e\u003c!--comp--\u003e\u003c!--for--\u003e\u003c!--it--\u003e\u003c!--if--\u003e— Kirkus Reviews, 1933\u003c!--\/if--\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!--\/it--\u003e\u003c!--\/for--\u003e\u003c!--\/comp--\u003e\u003c\/p\u003e","brand":"Gardner's EU","offers":[{"title":"Default Title","offer_id":63865805406538,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1028\/0389\/8698\/files\/winner-take-nothing-ernest-hemingway-english-bookstore-paris.png?v=1791566395"}],"url":"https:\/\/thelamppostparis.com\/fr\/collections\/ernest-hemingway.oembed","provider":"The Lamp-Post Library \u0026 Bookshop","version":"1.0","type":"link"}